I remember the painting critiques back in art school. After spending several weeks working on our masterpieces, we’d all sit in a circle and explain what our paintings were about. Someone would inevitably say their piece was a postmodern reaction to the phycological impact of the industrial revolution that caused existential dread. To me it looked like a canvas with some paint sloppily applied. It did seem like the students who were better at making “serious" art got better grades. (Or perhaps they were just better at explaining why their art was serious.) Perhaps this is why, after making …
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